Works of “Ravishing: The Rose in Fashion”

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c. 1735

c. 1750

1750-1760

c. 1790

c. 1790

1790-1800

c. 1810-1815

1830-1833

Spitalfields, England

c. 1840

c. 1844

c. 1855

1870-1872

c. 1880

1880s

Mirabella

c. 1890

c. 1892

J. Suzanne Talbot

c. 1908

c. 1908

Peter Yapp

c. 1910

1910

Lucile

c. 1914

F. Loesert Co.

c. 1917

Boué Soeurs

c. 1919

L.S.P. and Co.

c. 1924

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Exhibition Info

Ravishing: The Rose in Fashion

Ravishing: The Rose in Fashion presents the first socio-cultural examination of the rose in fashion. This flower can be dated back over 3 million years, and its broad geographic sweep is entwined with stories of trade, immigration, politics, religion, gender, food, beauty, and identity. It has been worshipped and reviled, and it is inextricably linked to perceptions of love. Not surprisingly, this delicate and fragrant flower — as well its sharp thorns — have provided endless inspiration for artists, writers, and designers. The rose has greatly influenced the form and decoration of apparel, jewelry, and fashion imagery.

Ravishing explores the significance of the rose in fashion and dressed appearance from circa 1750 to the present. More than seventy-five objects have been selected for their historic and aesthetic significance in addition to their broader symbolic, socio-economic, and geo-political importance. The exhibition is curated by Amy de la Haye, Rootstein Hopkins Chair of Dress History and Curatorship and Joint Director of the Centre for Fashion Curation at London College of Fashion, and Colleen Hill, curator of costume and accessories at The Museum at FIT.

The exhibition is accompanied by the Yale University Press publication The Rose in Fashion: Ravishing which includes an introduction by MFIT Director and Chief Curator Dr. Valerie Steele, and a chapter by Colleen Hill.